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  <url>
    <loc>https://www.artechive.org/review/migratory-memories-preserved-through-food</loc>
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    <priority>0.5</priority>
    <lastmod>2026-05-28</lastmod>
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      <image:title>Reviews - Migratory Memories Preserved Through Food - Make it stand out</image:title>
      <image:caption>Installation view of Tatale Provisions at Hannah Traore Gallery. Photo by Maria Preto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/0ef7ffd9-3c49-4f33-af6f-3d62408c0689/Tatale+Provisions_Install-14.jpg</image:loc>
      <image:title>Reviews - Migratory Memories Preserved Through Food - Make it stand out</image:title>
      <image:caption>Installation view of Tatale Provisions at Hannah Traore Gallery. Photo by Maria Preto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/8838a6f1-6531-419c-9577-362d744d8fc8/Tatale+Provisions_Install-01.jpg</image:loc>
      <image:title>Reviews - Migratory Memories Preserved Through Food - Make it stand out</image:title>
      <image:caption>Installation view of Tatale Provisions at Hannah Traore Gallery. Photo by Maria Preto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/903ceeeb-a763-42a2-bbb9-12a871960b80/Tatale+Provisions_Install-09.jpg</image:loc>
      <image:title>Reviews - Migratory Memories Preserved Through Food - Make it stand out</image:title>
      <image:caption>Installation view of Tatale Provisions at Hannah Traore Gallery. Photo by Maria Preto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/11a3908b-0b3e-4907-82f6-def4c8212cab/Tatale+Provisions_Install-05.jpg</image:loc>
      <image:title>Reviews - Migratory Memories Preserved Through Food - Make it stand out</image:title>
      <image:caption>Installation view of Tatale Provisions at Hannah Traore Gallery. Photo by Maria Preto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/57f22b62-7aba-4f5a-ad57-132fce6a7b0e/%E6%88%AA%E5%B1%8F2026-05-20+22.59.25.png</image:loc>
      <image:title>Reviews - Migratory Memories Preserved Through Food - Make it stand out</image:title>
      <image:caption>Shuhan Zhang (b. 2002, Jiangsu, China) is a curator and writer. She received her M.A. in Visual Arts Administration from New York University and holds a B.A. from the Central Academy of Fine Arts. Her research focuses on digital art, cultural platforms, and the contemporary art market. She has curated exhibitions including After the Face, Lithic Coordinates, Losing Ghosts, A Lure, A Lament, and Spreading Growth. Her writing has been published in Tussle Magazine, IMPULSE Magazine, Art Spiel, and Whitehot Magazine, with a focus on exhibition criticism and contemporary art discourse.</image:caption>
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  </url>
  <url>
    <loc>https://www.artechive.org/review/larkspur-the-cabinet-of-hers-by-shengjie-jiang</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/1c209c08-352f-4bb6-8d2c-717fcf5d91ce/01.jpg</image:loc>
      <image:title>Reviews - Lark_Spur: The Cabinet of Hers by Shengjie Jiang - Make it stand out</image:title>
      <image:caption>Installation View of The Cabinet of Hers. Courtesy of the artist and the Cub_ism_ Artspace.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/64e0a853-1733-4500-8192-5f672fa5ac01/cabinet02.jpg</image:loc>
      <image:title>Reviews - Lark_Spur: The Cabinet of Hers by Shengjie Jiang - Make it stand out</image:title>
      <image:caption>Shengjie Jiang, Cabinet of Delphinium Days, 2024. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/37937aaa-d42b-4e6b-b1f7-d7dd24a5216e/04.jpg</image:loc>
      <image:title>Reviews - Lark_Spur: The Cabinet of Hers by Shengjie Jiang - Make it stand out</image:title>
      <image:caption>Installation View of The Cabinet of Hers. Courtesy of the artist and the Cub_ism_ Artspace.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/132a07db-e273-4d44-ab23-5b128ac380a8/pot02.jpg</image:loc>
      <image:title>Reviews - Lark_Spur: The Cabinet of Hers by Shengjie Jiang - Make it stand out</image:title>
      <image:caption>Shengjie Jiang, Pot, 2025. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/719855b7-b3f9-48af-ba39-7b71e726bdea/%E6%88%AA%E5%B1%8F2026-05-23+15.51.28.png</image:loc>
      <image:title>Reviews - Lark_Spur: The Cabinet of Hers by Shengjie Jiang - Make it stand out</image:title>
      <image:caption>April Liu is a curator, researcher, and arts administrator working across contemporary art, postcolonial theory, and institutional critique. She holds an MA in Global Arts and Cultures from Rhode Island School of Design and a BA in Cultural Management from The Chinese University of Hong Kong. She has worked at Christie’s, Pace Gallery, and major art institutions in China and the US. Her research focuses on how museums in East Asia negotiate identity, power, and postcolonial legacies. She lives and works between Providence and Hong Kong.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artechive.org/review/one-does-not-first-master-control-then-begin-to-create</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/1fa5f995-4da1-4078-8902-9ced6e2cacdd/%E6%88%AA%E5%B1%8F2026-05-19+14.26.53.png</image:loc>
      <image:title>Reviews - One Does Not First Master Control, Then Begin to Create - Make it stand out</image:title>
      <image:caption>Installation View of Implements for Deviation. Courtesy of the Parent Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/8880241a-b442-4f50-9c23-ae3607c33337/%E6%88%AA%E5%B1%8F2026-05-19+14.27.08.png</image:loc>
      <image:title>Reviews - One Does Not First Master Control, Then Begin to Create - Make it stand out</image:title>
      <image:caption>Dena Paige Fischer, SWP_01, 2026. Courtesy of the artist and Parent Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/4af8d208-b0d0-418b-9fd8-c0f1ea8dad25/%E6%88%AA%E5%B1%8F2026-05-19+14.22.17.png</image:loc>
      <image:title>Reviews - One Does Not First Master Control, Then Begin to Create - Make it stand out</image:title>
      <image:caption>Dena Paige Fischer, DRW_04, 2026. Courtesy of the artist and Parent Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/2b6ae6c9-f952-4e93-a716-d9a33eec5b23/%E5%9B%BE%E7%89%87.png</image:loc>
      <image:title>Reviews - One Does Not First Master Control, Then Begin to Create - Make it stand out</image:title>
      <image:caption>Dena Paige Fischer, Mark by DRW_02, 2026. Courtesy of the artist and Parent Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/57f22b62-7aba-4f5a-ad57-132fce6a7b0e/%E6%88%AA%E5%B1%8F2026-05-20+22.59.25.png</image:loc>
      <image:title>Reviews - One Does Not First Master Control, Then Begin to Create - Make it stand out</image:title>
      <image:caption>Shuhan Zhang (b. 2002, Jiangsu, China) is a curator and writer. She received her M.A. in Visual Arts Administration from New York University and holds a B.A. from the Central Academy of Fine Arts. Her research focuses on digital art, cultural platforms, and the contemporary art market. She has curated exhibitions including After the Face, Lithic Coordinates, Losing Ghosts, A Lure, A Lament, and Spreading Growth. Her writing has been published in Tussle Magazine, IMPULSE Magazine, Art Spiel, and Whitehot Magazine, with a focus on exhibition criticism and contemporary art discourse.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artechive.org/review/basement-visions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/c53b0f14-0f71-477d-b888-9de08582e02e/260504_SI_Install_view78.jpg</image:loc>
      <image:title>Reviews - Basement Visions - Make it stand out</image:title>
      <image:caption>Installation view of Domestic News. Courtesy of the Swiss Institute. Photo by Dan Bradica.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/860db624-63ce-40fa-9dab-d92172dbc2d0/Jiajia-Zhang-Domestic-News.webp</image:loc>
      <image:title>Reviews - Basement Visions - Make it stand out</image:title>
      <image:caption>Jiajia Zhang, Self-portrait with mirrors, 2016/2026. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/79e82a04-57ab-4fc0-a99d-87e0f6c91787/260504_SI_Install_view54.jpg</image:loc>
      <image:title>Reviews - Basement Visions - Make it stand out</image:title>
      <image:caption>Installation view of Domestic News. Courtesy of the Swiss Institute. Photo by Dan Bradica.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/ba571187-daf4-4cd3-beb3-704180b421d5/260504_SI_Install_view83.jpg</image:loc>
      <image:title>Reviews - Basement Visions - Make it stand out</image:title>
      <image:caption>Installation view of Domestic News. Courtesy of the Swiss Institute. Photo by Dan Bradica.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/f829a568-7f4d-4a88-bffa-5bc807b66b01/%E6%88%AA%E5%B1%8F2026-05-20+23.01.52.png</image:loc>
      <image:title>Reviews - Basement Visions - Make it stand out</image:title>
      <image:caption>Jeff Crosby is a translator and curator focused on contemporary art from China. He served as Deputy Director of Contemporary Gallery Kunming from 2018 to 2024. He currently lives and works in New York, where he writes the newsletter Art in Translation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artechive.org/review/on-the-other-side-of-the-membrane</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/0ad525d7-21a8-455c-8193-bfd2d43a287e/DSC07541.jpg</image:loc>
      <image:title>Reviews - On the Other Side of the Membrane - Make it stand out</image:title>
      <image:caption>Installation view of Osmosis. Photo by Echo Xu. Courtesy of the artist and Symora Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/edf80564-65d8-4f35-b874-010d3a8824ec/Image2.jpg</image:loc>
      <image:title>Reviews - On the Other Side of the Membrane - Make it stand out</image:title>
      <image:caption>Installation view of Osmosis. Photo by Echo Xu. Courtesy of the artist and Symora Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/596d309f-967f-4e25-b6d7-21bbb015a9c5/Image4.jpg</image:loc>
      <image:title>Reviews - On the Other Side of the Membrane - Make it stand out</image:title>
      <image:caption>Installation view of Osmosis. Photo by Echo Xu. Courtesy of the artist and Symora Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/77545a8b-6d8f-4bd9-a5df-ff2c368170c8/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20260429130910_164_796.jpg</image:loc>
      <image:title>Reviews - On the Other Side of the Membrane - Make it stand out</image:title>
      <image:caption>Installation view of Osmosis. Photo by Haidong Yang. Courtesy of the artist and Symora Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/d22a843b-5927-4b3d-92f7-320ac0c06ea7/Image5.jpg</image:loc>
      <image:title>Reviews - On the Other Side of the Membrane - Make it stand out</image:title>
      <image:caption>Installation view of Osmosis. Photo by Echo Xu. Courtesy of the artist and Symora Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/124c9394-0b8c-4a53-8046-c7bc95344b74/%E6%88%AA%E5%B1%8F2026-05-23+16.02.04.png</image:loc>
      <image:title>Reviews - On the Other Side of the Membrane - Make it stand out</image:title>
      <image:caption>Xumeng Zhang (b. 2001) is a curator based in New York and Beijing. Her practice focuses on the intersection of contemporary art, mental health, and community-based collaboration.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artechive.org/review/a-disrupted-logic-of-recognition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/bf7bc2cc-cef7-4897-bc65-a255eaa66da3/Image+1.JPG</image:loc>
      <image:title>Reviews - A Disrupted Logic of Recognition - Make it stand out</image:title>
      <image:caption>Installation view of After the Face. Photo by Weican Wang. Courtesy of the artist and CHINCHINART.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/73e7f927-78af-4fc4-a30c-66939e95748a/Image+2.JPG</image:loc>
      <image:title>Reviews - A Disrupted Logic of Recognition - Make it stand out</image:title>
      <image:caption>Installation view of After the Face. Photo by Weican Wang. Courtesy of the artist and CHINCHINART.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/30ca5f70-138a-4c1d-a5e6-30491f77c1d2/Image+4.JPG</image:loc>
      <image:title>Reviews - A Disrupted Logic of Recognition - Make it stand out</image:title>
      <image:caption>Installation view of After the Face. Photo by Weican Wang. Courtesy of the artist and CHINCHINART.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/624d907c-891b-4d1a-afc7-6bb56c25de56/Image+3.JPG</image:loc>
      <image:title>Reviews - A Disrupted Logic of Recognition - Make it stand out</image:title>
      <image:caption>Installation view of After the Face. Photo by Weican Wang. Courtesy of the artist and CHINCHINART.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/a8847961-2b5c-483e-97a5-6292fe1a9f95/%E6%88%AA%E5%B1%8F2026-05-20+23.15.02.png</image:loc>
      <image:title>Reviews - A Disrupted Logic of Recognition - Make it stand out</image:title>
      <image:caption>Yihan Yan is a designer and arts professional focused on museum practice and cultural communication. She holds an MA from New York University and a BFA from the Savannah College of Art and Design, and has collaborated with institutions including Quzhou Museum and Zhejiang Museum of Natural History.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artechive.org/review/no-solid-ground-cfgny-at-amant</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/3bbe5a02-bf51-437a-bf1f-dfc6c9b58689/Amant-Installation-View-Puddles-into-Pond-1-2048x1536.jpg</image:loc>
      <image:title>Reviews - No Solid Ground: CFGNY at Amant - Make it stand out</image:title>
      <image:caption>Installation view of CFGNY, “Puddles into Pond,” Amant, Brooklyn, NY. Photo: New Document.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/3e015684-0c29-42fd-8842-53293ec80836/Amant-Installation-View-Puddles-into-Pond-4.jpg-1536x2048.jpg+%281%29.webp</image:loc>
      <image:title>Reviews - No Solid Ground: CFGNY at Amant - Make it stand out</image:title>
      <image:caption>Installation view of CFGNY, “Puddles into Pond,” Amant, Brooklyn, NY. Photo: New Document.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/01bf5d55-624d-4bd2-b1a4-1afec99f81c8/IMG_3168.jpeg</image:loc>
      <image:title>Reviews - No Solid Ground: CFGNY at Amant - Make it stand out</image:title>
      <image:caption>Installation view of CFGNY, “Puddles into Pond,” Amant, Brooklyn, NY. Photo: Ariel He Yanru.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/48fa7b19-81f1-4427-aa0f-b239a3005830/IMG_3172+%281%29.jpeg</image:loc>
      <image:title>Reviews - No Solid Ground: CFGNY at Amant - Make it stand out</image:title>
      <image:caption>Installation view of CFGNY, “Puddles into Pond,” Amant, Brooklyn, NY. Photo: Ariel He Yanru.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/4420dedf-856b-4474-8abe-ffba61b31076/%E6%88%AA%E5%B1%8F2026-05-20+23.07.32.png</image:loc>
      <image:title>Reviews - No Solid Ground: CFGNY at Amant - Make it stand out</image:title>
      <image:caption>Ariel He Yanru is an artist, curator, and researcher working across arts administration, interdisciplinary art, and cultural ecologies. She holds an MA in Visual Arts Administration from New York University and a BFA in Sculpture from Rhode Island School of Design. Her work focuses on the politics of space, artist-led platforms, and experimental models of cultural production within the contemporary art ecosystem. She is from Shanghai, currently based in New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artechive.org/review/ecology-of-desire-toward-an-aesthetic-of-recursive-intelligence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/aadd360d-a065-4917-a211-97c72b41b4a9/%E6%88%AA%E5%B1%8F2026-04-08+12.21.25.png</image:loc>
      <image:title>Reviews - Ecology of Desire: Toward an Aesthetic of Recursive Intelligence - Make it stand out</image:title>
      <image:caption>Installation view of Recursion, courtesy of artist and Marian Goodman Gallery New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/d03b3ad3-b7b3-49cf-bb85-bf88b2bc2aa8/%E6%88%AA%E5%B1%8F2026-04-08+12.21.34.png</image:loc>
      <image:title>Reviews - Ecology of Desire: Toward an Aesthetic of Recursive Intelligence - Make it stand out</image:title>
      <image:caption>Installation view of Recursion, courtesy of artist and Marian Goodman Gallery New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/854d486f-1644-4130-8687-48d395a83f66/%E6%88%AA%E5%B1%8F2026-04-08+12.21.14.png</image:loc>
      <image:title>Reviews - Ecology of Desire: Toward an Aesthetic of Recursive Intelligence - Make it stand out</image:title>
      <image:caption>Installation view of Recursion, courtesy of artist and Marian Goodman Gallery New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/283d46db-ccd1-49ac-8e61-b20cbd5b7124/%E6%88%AA%E5%B1%8F2026-04-08+12.21.17.png</image:loc>
      <image:title>Reviews - Ecology of Desire: Toward an Aesthetic of Recursive Intelligence - Make it stand out</image:title>
      <image:caption>Installation view of Recursion, courtesy of artist and Marian Goodman Gallery New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/7a7e88c0-5a49-4314-87a5-4682d51ef0d7/%E6%88%AA%E5%B1%8F2026-04-08+12.21.31.png</image:loc>
      <image:title>Reviews - Ecology of Desire: Toward an Aesthetic of Recursive Intelligence - Make it stand out</image:title>
      <image:caption>Installation view of Recursion, courtesy of artist and Marian Goodman Gallery New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/7e1952a3-79aa-461b-95a5-e2399b1016a5/%E6%88%AA%E5%B1%8F2026-05-20+23.05.29.png</image:loc>
      <image:title>Reviews - Ecology of Desire: Toward an Aesthetic of Recursive Intelligence - Make it stand out</image:title>
      <image:caption>Weifan Mo (Michelle) (b.2001) is a writer, creator, and curator, with scholarly interests that encompass aesthetics, phenomenology, affect studies, Ancient Greek philosophy &amp; drama, and Chinese diasporic literature &amp; films. She received an MA in Philosophy from the New School for Social Research and a BA in Philosophy from Duke Kunshan University. Her academic and creative initiatives revolve around interdisciplinary artistic practices that channel our intellectual life into everyday experience. She employs the project of aesthetics study as a filter to encapsulate the affective dynamics surrounding individuals within modern and postmodern contexts. Her curatorial projects have been exhibited in Gallery 456 | Chinese American Arts Council, THE BLANC, and Latitude Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artechive.org/review/delving-into-the-depths-of-painterly-conception</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/cc41d63b-2b29-4109-a32c-c84225464a6e/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20251025113907_5361_67.png</image:loc>
      <image:title>Reviews - Delving into the Depths of "Painterly Conception" - Make it stand out</image:title>
      <image:caption>Installation View, courtesy of Jingru Ma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/45e59a9b-0e27-4376-8b19-000c533fd7db/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20251025120133_5364_67.png</image:loc>
      <image:title>Reviews - Delving into the Depths of "Painterly Conception" - Make it stand out</image:title>
      <image:caption>Installation View, courtesy of Jingru Ma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/7767812d-fa9b-4beb-bea0-19343bfce136/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20251025120141_5371_67.jpg</image:loc>
      <image:title>Reviews - Delving into the Depths of "Painterly Conception" - Make it stand out</image:title>
      <image:caption>Installation View, courtesy of Jingru Ma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/681a381d-edd6-4e5b-b744-8a21240893dc/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20251025120138_5367_67.png</image:loc>
      <image:title>Reviews - Delving into the Depths of "Painterly Conception" - Make it stand out</image:title>
      <image:caption>Installation View, courtesy of Jingru Ma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/7767812d-fa9b-4beb-bea0-19343bfce136/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20251025120141_5371_67.jpg</image:loc>
      <image:title>Reviews - Delving into the Depths of "Painterly Conception" - Make it stand out</image:title>
      <image:caption>Installation View, courtesy of Jingru Ma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/4a53ab7f-ee1f-48da-8f59-c2c01bbe48b2/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_2026-03-05_005703_672.jpg</image:loc>
      <image:title>Reviews - Delving into the Depths of "Painterly Conception" - Make it stand out</image:title>
      <image:caption>The artist with her work in the exhibition. Photo by Jingru Ma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/0d760b9b-f240-4b7d-b7c7-66b22a4eeaab/%E6%88%AA%E5%B1%8F2026-05-20+23.09.25.png</image:loc>
      <image:title>Reviews - Delving into the Depths of "Painterly Conception" - Make it stand out</image:title>
      <image:caption>Hui Shang (b. 1962) is a Chinese art theorist, critic, and curator from Xuzhou, Jiangsu. He currently serves as Director of the Theoretical Committee of the China Artists Association and President and Editor-in-Chief of Meishu magazine. His research focuses on modern Chinese art history, thematic art practices, and visual culture in the image era. He has held positions at the Shanghai Art Museum and Beijing Fine Art Academy Art Museum and has curated major exhibitions including editions of the Beijing International Art Biennale.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artechive.org/sparks</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-05-28</lastmod>
  </url>
  <url>
    <loc>https://www.artechive.org/sparks/is-art-becoming-a-new-hard-asset</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/01792851-c948-4807-9e3a-b3a98e43119e/640.jpeg</image:loc>
      <image:title>Sparks - Is Art Becoming a New “Hard Asset”? - Make it stand out</image:title>
      <image:caption>Installation view of Sotheby’s New York Modern Evening Auction.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/9134fa7c-3c35-4388-b497-393891f5324a/KeH39.jpg</image:loc>
      <image:title>Sparks - Is Art Becoming a New “Hard Asset”? - Make it stand out</image:title>
      <image:caption>Jean-Michel Basquiat, Untitled, 1982. Sold for $110.5 million during Sotheby’s Contemporary Art Evening Sale in New York in 2017, marking one of the most significant moments in the financialization of the contemporary art market. The work was acquired by Japanese entrepreneur and collector Yusaku Maezawa.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artechive.org/sparks/after-frank-auerbach-what-are-the-requirements-of-a-truly-experimental-figurative-painting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/d380a7ae-5af6-4d75-bda6-a80de4359d3c/Frank+Auerbach+-+Head+of+E.O.W.+IV+1961.jpg</image:loc>
      <image:title>Sparks - After Frank Auerbach: What Are the Requirements of A Truly Experimental Figurative Painting? - Make it stand out</image:title>
      <image:caption>Frank Auerbach, Head of E. O. W., 1961.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/ac4efeab-b84c-4731-9398-50905ec18601/%E5%9B%BE%E7%89%871.png</image:loc>
      <image:title>Sparks - After Frank Auerbach: What Are the Requirements of A Truly Experimental Figurative Painting? - Make it stand out</image:title>
      <image:caption>Pablo Picasso, Girl with a Mandolin (Fanny Tellier), 1910.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/809bbb59-7d3c-4c3f-8579-3de351c49ea7/%E5%9B%BE%E7%89%872.png</image:loc>
      <image:title>Sparks - After Frank Auerbach: What Are the Requirements of A Truly Experimental Figurative Painting? - Make it stand out</image:title>
      <image:caption>Georges Seurat, A Sunday Afternoon on the Island of La Grande Jatte, 1884-1886.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/ccfc2385-aaf2-40b1-8031-b7e4204bcd42/%E6%88%AA%E5%B1%8F2026-05-20+15.23.47.png</image:loc>
      <image:title>Sparks - After Frank Auerbach: What Are the Requirements of A Truly Experimental Figurative Painting? - Make it stand out</image:title>
      <image:caption>Judith Linhares, Wave, 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/f64b1391-1335-403d-b6f7-38e9f4e9c2e9/%E5%9B%BE%E7%89%874.png</image:loc>
      <image:title>Sparks - After Frank Auerbach: What Are the Requirements of A Truly Experimental Figurative Painting? - Make it stand out</image:title>
      <image:caption>David Park, Two Bathers (1958)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/64c73702-e58b-4252-91f5-4b5804f0985f/%E5%9B%BE%E7%89%875.png</image:loc>
      <image:title>Sparks - After Frank Auerbach: What Are the Requirements of A Truly Experimental Figurative Painting? - Make it stand out</image:title>
      <image:caption>Shin Kwangho, [112] Untitled, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/3f15a0b9-b60d-4a98-8ca8-1734713ead29/%E5%9B%BE%E7%89%876.png</image:loc>
      <image:title>Sparks - After Frank Auerbach: What Are the Requirements of A Truly Experimental Figurative Painting? - Make it stand out</image:title>
      <image:caption>Jaeyeol Han, Passerby, Coy, 2013.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/3835be27-c6c7-47a7-8233-47b3940b6026/%E5%9B%BE%E7%89%877.png</image:loc>
      <image:title>Sparks - After Frank Auerbach: What Are the Requirements of A Truly Experimental Figurative Painting? - Make it stand out</image:title>
      <image:caption>Chunbum Park, Two Bathers, 2014.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artechive.org/sparks/towrd-the-unfixed</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/7ecaf685-e9bb-451b-8a34-d7513cdaf7cf/Image+4.JPG</image:loc>
      <image:title>Sparks - Towrd the Unfixed - Make it stand out</image:title>
      <image:caption>Dao Die and Day, 2026, 5 x 7 in. Watercolor on aquabord. Photo by Yuchen Xi. Courtesy of Yuchen Xi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/41c6ef1f-64b6-4d8f-9760-bba3584e4f63/Image+2.jpg</image:loc>
      <image:title>Sparks - Towrd the Unfixed - Make it stand out</image:title>
      <image:caption>Burning Remains No Fire, 2025, 16 × 24 in. Oil on claybord. Photo by Yuchen Xi. Courtesy of Yuchen Xi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/81c8c559-8613-47ec-9082-0194088a6d6d/Image+1.jpg</image:loc>
      <image:title>Sparks - Towrd the Unfixed - Make it stand out</image:title>
      <image:caption>Flowing Song, 2025, 8 x 8 in. Oil on top of acrylic and tempera on claybord. Photo by Yuchen Xi. Courtesy of Yuchen Xi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artechive.org/sparks/from-overfitting-to-distributed-authorship-authorship-in-the-context-of-generative-ai-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-05-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/73a262ba-0171-4237-9010-a377a7f63ffb/6c01886e611739a72fbb384fcf052b6e.jpg</image:loc>
      <image:title>Sparks - From Overfitting to Distributed Authorship: Authorship in the Context of Generative AI Art - Make it stand out</image:title>
      <image:caption>Fountain, Marcel Duchamp, 1917/1964, Sculpture, Ceramic, glaze, and paint. Dimensions15 × 19 1/4 × 24 5/8 in</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/886fbc87-8d0e-4a0d-bb7e-e7565cfa6354/DSC01064.jpg</image:loc>
      <image:title>Sparks - From Overfitting to Distributed Authorship: Authorship in the Context of Generative AI Art - Make it stand out</image:title>
      <image:caption>Myriad (Tulips), Anna Ridler, 2018, C-type digital prints with handwritten annotations, magnetic paint, magnets, variable dimensions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/b39171ac-3ff9-43e4-a89e-6ff53d420d04/ridler-mosaic-virus-2000x1553.jpg</image:loc>
      <image:title>Sparks - From Overfitting to Distributed Authorship: Authorship in the Context of Generative AI Art - Make it stand out</image:title>
      <image:caption>Mosaic Virus (2018-2019), Anna Ridler, 2018,3-screen GAN video installation, variable dimensions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/795cc486-d391-42bc-9bbd-f52e2666323d/1112.1562158549.jpg</image:loc>
      <image:title>Sparks - From Overfitting to Distributed Authorship: Authorship in the Context of Generative AI Art - Make it stand out</image:title>
      <image:caption>ImageNet website appearance.</image:caption>
    </image:image>
  </url>
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    <loc>https://www.artechive.org/about</loc>
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    <lastmod>2026-05-14</lastmod>
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    <lastmod>2026-03-10</lastmod>
  </url>
  <url>
    <loc>https://www.artechive.org/structures-practice-and-witnessing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-04-01</lastmod>
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      <image:title>1. Structures, Practice, and Witnessing</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/c464c0f1-36c5-44f7-8a90-ec085a7a1bb7/15aa9bf76eb142f8dfa717349659ee64.jpg</image:loc>
      <image:title>1. Structures, Practice, and Witnessing</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.artechive.org/interview</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-05-29</lastmod>
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  </url>
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    <loc>https://www.artechive.org/institutions-language-and-living-with-uncertainty</loc>
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    <lastmod>2026-03-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/cac1a79c-1aba-49f0-97ef-aaa45a7524bb/35accf59d053ba62b48d7a546126ad61.jpg</image:loc>
      <image:title>2. Institutions, Language, and Living with Uncertainty</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6946dd047d257c52a22c702b/c464c0f1-36c5-44f7-8a90-ec085a7a1bb7/15aa9bf76eb142f8dfa717349659ee64.jpg</image:loc>
      <image:title>2. Institutions, Language, and Living with Uncertainty</image:title>
    </image:image>
  </url>
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    <loc>https://www.artechive.org/artechive</loc>
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    <lastmod>2026-05-13</lastmod>
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